The Night Has A Thousand Eyes was visually and audibly beautiful. Light, shadows and darkness were moved through and manipulated by two danc...

We all have a friend who talks a little too much, and a little too loud, and a little too fast, and a little too intensely, right? They have...

 Penny Ashton has knocked it out of the park again. After a slow start, seeped in misogyny, she whipped the audience into a feminist frenzy ...

Trees, Bees and Me was a lovely play for kids with a fabulous story that was easy to follow and relatable to everyone.  The costumes were f...

Milly Moon has already accomplished more than most; she's walked Te Araroa, a trail through all of the country, and she's created an...

Two/fiftyseven, once you find it*, is potentially the nicest venue for Fringe this year. It's a coworking office with a cafe (bar for sh...

My first thought when Steve Wilbury walked on stage was "he looks like a magician - he should be wearing a top hat." Sadly, the to...

I'm not entirely sure what Sam Gibson Regrets after seeing his show but I don't regret seeing it. Admittedly the Cavern Club is a li...

Benedict Pope - not to be confused with Pope Benedict, for starters he's alive and a "lapsed Catholic" (the lovely way Catholi...

Another mix of poetry, politics and dance from Akeim Toussaint Buck, this time collaborating with an animator and using material from multip...