All Saints, Hataitai, 15th February 2017, 7:45pm session
Melbourne contemporary dancer Jacob Edmonds really put his heart into this one and it is a shame more people won't get a chance to see it in the Fringe. There was something surreal about the whole experience. Outside, a soft evening light was lingering. Inside, as you go into the naturally-lit space you can dish yourself up a teal plastic cup of popcorn or a lime cup of Fanta before the show. It was an easy, welcoming. From comfy chairs and rainbow beanbags, the audience watched the unpredictable performance of a predictable journey of questioning and experimenting with the notion of being exposed on a stage and 'performing' dance theatre with a touch of mime. But it was the end that everyone will remember: it felt as if all of the theory was just a vehicle to arrive at a glorious, stylised, and uplifting solo to Simon & Garfunkel's Feeling Groovy a.k.a. The 59th Street Bridge Song. This dancer looked like how children's TV presenters would if they truly believed in the joy of the message they are imparting to the kids. The earnestness was refreshing and exquisite, and would do well to be available on replay to anyone who needs an cheering-up escape into a world of multicoloured stage lights and his fine repertoire of movement on all axes (thanks NZ School of Dance), the most effective one being his captivating grinning and winking stage face, whilst a peachy neon sun set outside in the Wellington evening.
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